What a show! Audiences last week were treated to spectacular performances of Stephen Sondheim’s musical Sweeney Todd: The Demon Barber of Fleet Street. It’s not every school that could manage a production this complex, this musically and theatrically challenging, this dark…but Churchill’s students didn’t just manage it, they pulled it off in style. Sondheim’s complex score was performed note-perfectly by the pit orchestra. On stage, the singers delivered the overlapping, rapid-fire songs with such confidence and gusto that the audience were carried along with the story, the characters and the experience of grimy, backstreet Victorian London, brought to life by the wonderful sets, costumes and production design.
But, my goodness it was dark! Sweeney Todd is exiled for a crime he didn’t commit so an evil judge could get his hands on Todd’s daughter. The judge has Todd’s daughter committed to a lunatic asylum rather than allow her to see another man. Todd, returning, sets up a barber shop with the sole intention of using it as a trap to murder his enemies. Pie-shop-owner Mrs Lovett, allowing Todd to think his wife has died, uses the bodies of Todd’s victims as the filling for her gruesome produce, selling them to enthusiastic and unsuspecting customers. It sounds horrendous, but the show trod that delicate line between horror and humour perfectly, so that the audience were entertained throughout, even as the body-count mounted.
The performances were professional-standard, from the lead actors to each member of the chorus. The show was double-cast, meaning that each audience got to see different combinations of actors in the lead roles. When I saw it, on the Friday night, Brett Kelly was a brilliant Sweeney. On stage for almost the entire duration of the show, his performance maintained intensity and drive from the first moment to the last. He was matched by Kornelia Harasimiuk’s Mrs Lovett, whose knockabout comedy was a horrific mask for her selfish plotting. The young lovers, Johanna (Evie Tallon) and Anthony (Bobby Rawlins) were both compelling. I must make special mention of Will Truckle’s gloriously over-the-top Pirelli, whose Italian accent was trumped by his excellent Irish; and Jessica Bailey as The Beggar Woman was a compelling presence on stage, causing gasps of realisation from the audience as her true identity was revealed.
The supporting cast were also note-perfect. The villainous Judge Turpin (Bede Burston) and his sidekick The Beadle (Charlie Tyler) were so evil, they made the audience sympathise with the murderer-and-cannibal duo of Todd and Lovett! But the image that will stay with me is that of the young Tobias, a role shared between eight young actors across the performances. In a world of twisted morality and selfishness, Tobias’s final scene was chilling indeed.
What came across to me was the tremendous team effort that goes to make a production. Sound, lighting, costume, props, stage management, choreography, musicians, staff, students, parents, families…everyone contributed to the success of the show. I know how hard everyone has worked, and the blood, sweat and tears that have gone into it. Well – it was worth it. Hearty congratulations to everyone involved – it was a spectacular show.