Rock of Ages

There are many, many privileges in being a Headteacher, but one of the unparalleled joys of the role is seeing your students absolutely smash it out of the park. I’ve seen it on the sports field, I see it in classrooms, I see it in exam results; this week, I saw it as the casts of Rock of Ages melted the faces of enthusiastic audiences from the stage of the Playhouse in Weston-super-Mare.

The musical – which ran in its original version for 2,328 performances on Broadway – is set in the Los Angeles rock scene of the 1980s. Big hair, big egos and rock’n’roll excess are the order of the day, as aspiring rock star Drew (Brett Kelly/Matt Lucas) and wannabe actress Sherrie (Ivana Eamesova/Nina Campbell) try to make it big. Along the way they are variously helped and hindered by the big characters of LA’s Sunset Strip, against a backdrop of a threat to the Strip’s very existence from the wrecking ball of arch efficiency-enthusiast Hilda (Emma Cekaj/Maddie Pole). The whole affair is punctuated by songs from the classic hair-metal bands of the period – Bon Jovi, Whitesnake, Journey and more.

These are some big songs, with big tunes and big notes, which need big performances – and the students delivered. In fact, such is the talent on display that the show had two casts, each as fantastic as the other. Each performance also featured two bands – one on-stage, and one in the orchestra pit – and those bands were different each night as well! They were note perfect, nailing every riff and solo in perfect synchronisation with the on-stage action.

The main cast were simply amazing, but what made the show for me was the strength in depth. The dancers, chorus, and hilarious cameo performances had the audience in raptures. The costumes, make-up and hair (there was some REALLY big hair!) were all amazing, and the behind-the-scenes crew ran the production like a well-oiled machine – sound, lighting, props and set were all exemplary.

One of our priorities over the past few years has been developing leadership skills in our students. Well, here it was: students selling programmes, students directing scenes, students running the bands, running the backstage, running the show. Students working with one another across years, across houses, across friendship groups, supporting one another in a massive team effort. It was no surprise that the other cast was packing the back row of the balcony to cheer on those on stage when they were “off” – that is the spirit which this production has created, and it ran through the theatre like electricity.

I did have a word with Mr Buckley, Director of Performing Arts and this production, about the propensity for his shows to coincide with major incidents. You may recall that Singin’ in the Rain was almost derailed by the Beast from the East snowstorm in 2018; Sweeney Todd went on stage in 2020 just before we were all locked down by the pandemic; and this year’s show coincided with Storm Eunice bringing a red weather warning and winds of over 90mph. Mr Buckley reminded me that correlation is not causation, and that the third Academy value is determination, and that I should take Journey’s advice – “don’t stop believing.” Quite right – the show must go on!

And go on it did – a thrilling, professional-standard performance, sizzling with energy and joy and the release of being on stage in a packed theatre again. I could not be prouder of everyone involved.

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